Emerging Asian designers to interpret historical Western fashion – WWD

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While cultural influences remain a hot topic in fashion, this year’s exhibition in Hong Kong will feature London’s Victoria and Albert Museum and recruit six diverse designers from across Asia.

Conceived by retailer K11, the event for K11 Musea’s Art & Cultural Center in Hong Kong will see historic VA&A collections such as Tokyo’s Tomo Koizumi and London-based Sohi Park’s Miss Sohi, “contemporary nods” to English and French couture design. .

According to K11, “It was an exercise in searching and understanding how fashion changes over time and absorbs and integrates the influences of cultural similarities and differences. It holds a mirror to how different cultures have inspired and stimulated the imaginations of designers over the centuries and how it has influenced fashion throughout the ages.

“I want people to understand more about the influence of history on art and fashion today. It’s a continuous evolution, says production designer William Chang Suk-ping, who returns as artistic director of “The Love of Couture: Artisanship in Fashion Beyond Time,” set to open Dec. 7.

“This fair should serve as a reminder that craftsmanship in all its forms and techniques is driven by the human touch,” he added.

William Chang Suk-ping

Chang starred in “In the Mood for Love,” the 2000 blockbuster and Oscar nominee. He is well known in fashion circles for the costumes he designed for “The Grandmaster” in 2014, creating the seductive look of Maggie Cheung.

Participating designers include Rynosuke Okazaki from Japan, Yueki Chi and Sensen Lee from Windows China and Celine Kwan from Hong Kong.

Each was allowed to select pieces from the V&A collection and contribute four works to be put on display.

“I wanted it to be inspired by pieces that allow the designers to tell a story through unique styles and techniques,” Chang explained.

Design of Yueqi Qi.

The show is inspired by Derek Walcott’s poem “Love After Love” and “features images from brain scans that highlight in color the synapses that light up the most when we’re in love.” There will be 36 pieces divided thematically to show the development of the craft over time.

V&A presents archival dresses for just six designers – a section of the exhibition that depicts the “gradual evolution of fashion and textile art” through historical artifacts from the 1830s to the 1960s.

The exhibition will open on December 3 at K11 Night, an invitation-only event that is Asia’s equivalent of the Met Gala.

Wedding Dress from the Victoria and Albert Museum Archives.

The exhibition at K11 is the brainchild of Adrian Cheng, founder of K11 Group and CEO of New World Development, a Hong Kong-based developer and entrepreneur. Cheng, a proponent of “cultural retail,” has made art attractions the centerpiece of his projects, and seeks to build bridges of communication between East and West.

Through the K11 Craft & Guild Foundation, Cheng is working to revive the rapidly disappearing Chinese handicrafts.

According to K11, the partnership with the six new designers reinforces its mission to “cultivate talent, instill culture in society, and democratize art, culture and design.”



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