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It was amazing to have so many open air fashion shows during this European fashion season. The rain that fell during the call hours for Givenchy on Sunday afternoon allowed attendees to learn about the material that covers Bush’s quality seating cube.
“It’s just water,” implored host Etienne Rousseau over the loudspeaker. “They sat in a park in Paris on Sunday.”
Growing up in the Jardin des Plantes, Matthew Williams’ collection presented a beautiful vista.
Despite being at Givenchy for more than two years, this was the designer’s first dedicated women’s show, for which he decided to hit the show with fashion icons from his native America, French residence Givenchy and Carine Roitfeld.
“It’s definitely a clashing idea,” he said, pointing to the free-flowing denim, bomber jackets and hoodies alongside tweed, cardigan-style jackets and romantic shirts. “It’s what Karin and I feel is a great, modern wardrobe for today.”
There was also a glimpse of founder Hubert de Givenchy’s archival gowns, which allowed Williams to adapt the vision by adjusting it or wearing it with a sweater or shirt.
One can feel the influence of Roitfeld in the tight pencil skirt and sharp and graphic heels, sitting in the front row next to Kanye West, still speaking through the mouthguard he wore earlier to spin on the Balenciaga muddy runway.
This scene didn’t do Roitfeld’s fireworks with Tom Ford back in the day, or with Riccardo Ticci when he was a couturier at Givenchy.
It also felt more streamlined for the heavy hardware Williams usually rolled pearl strings back. But it hit on the season’s deconstructed trend, and there were some good tailoring, including one raincoat.
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