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There wasn’t just one “Renaissance” in Beyoncé’s latest album. Besides being a timeless musical experience, the latest collection from legendary R&B artist Beyoncé Knowles brought a bold vision of fashion through its visuals and music videos. Not only does “Renaissance” provide a space for musical escapism and self-reliance, Beyoncé’s fashion choices also reflect these ideals, putting her in a space free of expectations and perfection.
Beyoncé has attracted attention from the fashion world ever since she first joined Grammy-winning girl group Destiny’s Child. Reflecting the classic fashion of the group’s 1990s beginnings, Beyoncé appeared at concerts wearing a crop top and cargo pants designed by her mother, Tina Knowles. The outfits her mother built — such as the coordinated ensembles she wore at the 2001 Grammys, such as the crystal-embroidered green dress — marked Destiny’s Child’s ground-breaking moments.
In the year In an interview with the Washington Post in 2020, Beyoncé’s mother recalled that labels often refused to wear the group. Her own design choices have been criticized for being too “motown” or “flashy”. However, the influence of groups like Destiny’s Child is evident in today’s TikTok-based revival of “Y2K” fashion.
Throughout her solo career, Beyoncé’s iconic image continues to reflect her music. In her Sasha Fierce era, Beyoncé rocked Lorraine Schwarz’s custom bionic titanium gloves during her “Single Women” music video, meant to represent women’s inner strength.
The acclaimed artist’s sixth studio album, “Lemonade,” in turn, contextualizes her husband’s infidelity to racial and generational struggles. In her video for “Hold Up,” a song about infidelity, Beyoncé wears a bold yellow Robert Cavalli that contrasts the dark topic discussed to show how a woman can be strong and emotional at the same time. During her stunning performance of the title track “Lemonade” at the 2017 Grammys, Beyoncé looked like a fertility goddess in a stunning gold dress and gold headband.
However, with “Renaissance” Beyoncé embarks on a new chapter. The common thread through her fashion choices? They are brave and smart.
In the “Renaissance” looks, Beyoncé is seen in Cone Bras from designer Schiaparelli. These 50’s style bullet braces are more flashy but also have a harkening back to Madonna’s “Blonde Ambition” tour outfit from legendary designer Jean Paul. Gauthier Beyoncé sits on a velvet cushion and stares down at the camera wearing custom Muggle, known for adding a futuristic feel to their clothing. In a designer known for designing shapes to mimic extraterrestrial life, the choice of clothing conveys an escape from this world, matching the album’s focus on the freedom of bounds.
The lack of obvious designer pieces in Beyoncé’s latest outfits sets her apart from other celebrities who associate her with brands, such as Harry Styles with Gucci or Zendaya with Valentino. Although she samples from famous brands like Alaia (who designed her green lace dress), they are created to reflect her own personal style, as opposed to the brands’ choices. The Alaia green dress she wore, for example, appeared in orange on the Alaia Winter-Fall 2022 runway. Her “Renaissance” bodysuits come from small designers like Nusi Kiro, a multi-talented artist who dresses Kylie Jenner in 3D-printed pieces. Quero takes inspiration from architecture to invent the corset of the future, and in a Vogue interview he says his mantra is to embrace intuition or escape the need for the pieces to represent something.
Beyoncé doesn’t just convey themes of escapism and the importance of individuality in her clothes: she directly references fashion in her lyrics.
In the track “Summer Renaissance,” Beyoncé sings, “This Telfar bag came from outside/ Birkinns, squirrels in the store.” Although Telfar searches have increased significantly since this reference, there is an emphasis on not chasing brands for their popularity, but on using them when they are useful for their own style. The Birkin isn’t going anywhere (Beyoncé didn’t say she was selling her closet to fashionistas), but these lyrics reflect a broader desire to hide logos and reflect a different look.
This idea is echoed on the track “Alien Superstar” with the line “Mastermind in haute couture/Whores can’t watch, I’m so confused.”
As “Renaissance” is only part of a wider three-part project, we see more small brands that cannot be clearly associated with a single designer. Maybe, Beyoncé will be seen in more Christopher John Rogers and Alaia.
Beyoncé’s clothes are not particularly associated with any trend or brand. They are unnamed, part of a broader movement in which distinction is derived from “quiet” luxury, like Loro Piana and mysticism. Buying these pieces isn’t accessible to the general public, but Beyoncé has proven time and time again that she can do whatever she wants. This album is no different; We truly live in Beyoncé’s world.
Editor’s Note: This article is a review and includes personal thoughts, opinions, and criticisms.
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